“Introspection” is an installation composed of several works from my Vanity Project series. It is a self-investigation into how I am perceived as a queer Black woman and how I navigate those perceptions. Through this installation, I reclaim my image by representing myself on my own terms.
The untitled wallpapers are made up of repeated images of myself, primarily selfies. One features biro-drawn portraits; the other arranges isolated body parts from selfies into a repeating motif. I use selfies to explore how women’s cultural practices, particularly those involving beauty and self-image, are often dismissed. For me, the selfie becomes a tool to reclaim sexuality, agency, and self-Representation.
“Clones” are soft sculptures based on the actual measurements of my body. Made from fabric that matches the surrounding wallpaper, the figures are designed to blend into the background. This intentional camouflage speaks to the tension of living with intersecting, marginalised identities: feeling hyper-visible in public spaces, yet often unheard or overlooked.
“Reflections” feature framed excerpts from my personal diary, offering an intimate view into my past experiences and broader thoughts on identity, perception, and self-definition.
Together, these pieces form a space for visibility, resistance, and reclamation—on my own terms.
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